The Windows

Click here to see photographs of the principal windows

Stained glass is an ancient form of decoration in churches. They are, in fact, more often than not, painted and the paint made permanent by firing. In modern windows, coloured glass is often used. They are best regarded not as windows but as illuminated wall decorations and their purpose is to instruct the faithful as well as to commemorate a church’s benefactors.

The church’s mediaeval windows were removed during the 16th. century Reformation and subsequently during the Civil War. Only a few fragments remain which were put into two windows now in the vestry. These show images of the saints and the symbol of the Blessed Virgin Mary, which also appears in some of the new windows. They were probably put together following the re-ordering of the church in 1847. One small piece of glass remains in situ in the north clerestory.

By the early 19th. century, several of the windows had been blocked up. They were opened up as part of the refurbishment of the 1840s. Support for the refurbishment came from the Rowley family and, in particular, George Dawson Rowley and Charles Percival Rowley, two sons of the Lord of the Manor, George William Rowley (1796-1878). G.W. Rowley succeeded to the title on the death, unmarried, of his elder brother David in 1855 and the first window to be designed was dedicated to David in 1859. George Dawson Rowley, who had spent much of his life abroad pursuing his interests as a naturalist, inherited the title in 1878 only a few hours before his own death. It was the younger son C.P. Rowley, who lived in Wintringham Hall, who was the moving force behind the work. He was responsible for at least seven of the windows. From 1878, he was the ‘only surviving’ child (as he describes himself) of George William Rowley and his wife Catherine who are commemorated in the memorial on the south wall of the chancel. She died in 1886. (Guessingly he was also responsible for the final window of the series in the Jesus Chapel which is dedicated to the memory of his elder brother’s wife, Caroline Frances.) This window is by Charles E Kempe, who was responsible for the windows in the chapel of Selwyn College, Cambridge. Interestingly, this window, of the trial before Pilate, is not in the current catalogue of Kempe’s work. It is one of his last windows before his death when the firm passed into the hands of his successor, whose monogram was no longer a wheatsheaf but a sheaf surmounted by the Tower, the name of the new owner.

The East window, which is also by Powell, was the second window to be made and was paid for by subscriptions from members of the congregation when the east wall was rebuilt in 1865. It was restored in 2001.

The windows form a complementing series having been made over a short period, mostly by the same firm between 1859 and 1904. John Hardman & Co of Birmingham, and its chief designer John Hardman Powell (Nephew of John Hardman, son-in-law of Augustus Welby Pugin) exhibited his windows at several of the great international exhibitions of the period; and some of his work is of a very high order. Clayton & Bell whose style is easy to distinguish, were responsible for the clerestory windows, the West Tower Window and the two west aisle windows.

Chancel

  • The Crucifixion and Kingship of Christ (given by the congregation when the east wall was rebuilt 1865)

  • Three images of the Resurrection (given in memory of David Rowley 1859)

Lady Chapel

  • Adoration of the Magi (Hardman Powell) (gift of C.P. Rowley - exhibited at the Paris Exhibition in 1867)

  • The Annunciation (Hardman Powell) (in memory of Charles Collier, vicar 1865-6)

  • Adoration of the Shepherds (Hardman Powell) (gift of C.P. Rowley)

South Aisle

  • The presentation of Christ in the Temple (Hardman Powell) (in memory of William and Elizabeth Day 1870)

  • The First Miracle at Cana of Galilee- St. John (Hardman Powell) (gift of C P Rowley)

  • The Woman of Samaria (Hardman Powell) (gift of C.P. Rowley - exhibited at the Paris Exhibition in 1878)

  • The Raising of the Widow’s son (and other raisings) (Hardman Powell) (gift of C.P. Rowley)

West End

  • The Baptism of Christ (Clayton and Bell) (given in memory of Dr Samuel and Mrs Sarah Allvey)

  • The Transfiguration (Clayton and Bell) (given in memory of Dr Joseph and Mrs Helen Rix)

North Aisle

  • The Miraculous Draught of Fishes (Heaton Butler and Bayne) (in memory of George Bowes Watson, vicar 1866-75)

  • The Healing at the Pool of Bethesda (Hardman Powell) (gift of C.P. Rowley - exhibited at the Paris Exhibition in 1878)

  • The Washing of Jesus’s Feet (Hardman Powell) (gift of C.P. Rowley - exhibited at the Philadelphia Exhibition in 1876)

  • The Entry into Jerusalem (Hardman Powell) (gift of C.P. Rowley)

Jesus Chapel

  • The Arrest of Jesus in the Garden of Gethsemane (Hardman Powell) (in memory of George Dawson Rowley, died 1878)

  • The Trial before Pilate (Kempe) (in memory of Caroline Frances Rowley, wife of George Dawson, died 1900)

The west tower

In the upper section there are, from left to right, St. Ambrose of Milan, St. Jerome, St. Augustine of Hippo and St. Gregory the Great, the so-called Doctors (teachers) of the Church. In the lower section are the great English saints, St. Alban the first English martyr, St. Augustine of Canterbury, St. Ethelbert first Christian King of Kent and the Venerable Bede.

The south clerestory

There are images of the Old Testament figures - Moses, Miriam, Barak, Deborah, and David.

The north clerestory window shows a fragment of medieval glass.

Most of the windows have been repaired and restored in the years following the Millennium.

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